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cuahtemoc juice

in Noh-Bec, Quintana Roo with Gualberto Cazanova Mezeta, Alex Racelis, Alison Brovold and Mint in Mexico, Design for Development.  

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tihosuco

artisan project with women in tihosuco 2008–2011. mint in mexico/design for development.  

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design for development

selected photos, 2007–2010 

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kuxtal via verity

Ak Kuxtal Sian Ka'an Photographs for Indigo Design Network Article. Via Verity Lomax.  

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maya riviera/zona maya

photos from my research trip in july 2010 

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Ver 2: Moringa Powder Labels

April 2010. Prepared by the University of Florida Graphic Design BFA class of 2011 in Maria Rogal's Technologies and Processes course, spring 2010 for Ed Lin/Impala Development Services. All rights reserved. www.ufdesigners.com 

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Ver 1: Moringa Powder Labels

Prototypes for labels for Moringa powder. Feel free to VOTE or FAVORITE in comments. We based design on these key words: pure & natural smart informative/accessible/concise invigorating/strength artisan/handmade Select the overall look and feel/visual language that appeals to you as a consumer of gourmet or high-end healthy and nutritional products. We can change exact content and details once we have the general direction.  

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honey branding

Preliminary label designs for the Lol-Bal Ché honey cooperative in Santa Elena, Yucatán (2007) 

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d4d: a case study in empowerment

The design for development intiative explores how graphic designers, in partnership with marginalized communities, use design processes, products, and strategies to develop sustainable solutions for local economic, social, cultural, and environmental problems. For more information visit: www.designshares.com 

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design for development 2009

Receiving the AIGA Design Educators Award for the Design for Development (d4D) initiative in 2009 provided support for developing new projects—furthering proof of concept of our work—and for the documentation of these and ongoing design projects we undertook in partnership with marginalized indigenous communities in southern Mexico. The intent of our program, d4D, is to explore ways we, designers and others, can use design processes, products, and strategies to support sustainable solutions to local economic, social, cultural, and environmental problems. For the past four years my colleagues, graphic design students, and I have worked on the Yucatán peninsula (Mexico) and partnered with local people on problems they’ve identified. 

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carnaval

merida, mexico 2007 

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