maria rogal assistant professor of design university of florida THIS IS AN ARCHIVED SITE, with materials from 1999–2005. For current projects, please visit » mariarogal.com. |
march 2005 leaving florida/arriving méxicoartist book exhibited at University College Northampton, Northampton, UK Exhibition Opening: Tuesday 3 May 2005, 4pm-6pm { view more } february 2005 satellite magazine: unveiling visionby denise trunk, editor. { download pdf // 2mb } “When you look at something, what do you see? Perhaps only what your brain is trained to see. Graphic artist Maria Rogal makes it her job to create images full of cultural contradictions designed to jolt viewers out of visual complacency. ” visit the satellite website. envisioning the huichol concept of timeproject with dr. sarah corona and junior graphic design students at the university of florida. projects { more information coming soon }. » research materials january 2005 40th annual faculty art exhibition at the samuel p. harn museum of art embrace: the mexico series (2005) — installation view. 1–5 november 2004 4 de 4 conference 4th conference of design history and design studies. guadalajara, méxico. conference site. 11 october 2004 solo exhibition at ferrum college, ferrum, virginia exhibition runs from 11 october –11 november 2004. two pieces from this exhibition are in the left column. see the ferrum site. summer 2004 In addition to working on several projects in progress, I attended the “ Intercultural Communication: Dialogues and Conflicts” Conference in Guadalajara, México. In June, I participated in ArteDigital 6 in Havana, Cuba.
23 june 2004 sharing dreams/compartiendo sueños Sharing Dreams, a collaborative project, opened on June 23 and is on exhibit at the Cuban Film Institute’s Cultural Center in Havana, Cuba. Ten graphic designers from Cuba and the United States have created works under the theme of Sharing Dreams to bring their views closer, share their experiences and dream of a future of mutual friendship and understanding. The designers selected for the project each developed a piece for exhibition in poster form, drawing from personal photography, drawings, paintings, and journals. The works were created individually, corresponding by email to share ideas and drafts of the work. Crossing time zones and language barriers, the artists were encouraged to look outside of their day-to-day context for ideas and feedback, and see how the different community of influence affects their work. This project was organized by the Centro Cultural Pablo de la Torriente Brau in Havana and the AIGA's Center for Cross Cultural Design. Visit the exhibition online at: www.artedigital6.cubasi.cu www.artedigitalcuba.cult.cu American Institute of Graphic Arts 26 may 2004 the
project mira — multimedia interdisciplinary research in art — also refers to the spanish command to look which investigates multiple ways of looking and seeing As a research project, MIRA utilizes interdisciplinary methodologies with an emphasis on ethnography (as a method and outcome) to investigate cultures of consumption and commodification of cultural belongings and identities. MIRA is specifically grounded in the tourism development project of Playa del Carmen, on the Mexican Maya Riviera, one of the fastest growing cities in the western hemisphere. 24 january 2004 the méxico series Crandall Gallery, Mount Union College, Alliance, Ohio. Exhibition dates: 17 January thru 6 February 2004. [Click here] for project details. 24 october 2003 fulbright hays seminar in méxico and costa rica The projects included in this documentation are intended to supplement advanced problems in graphic design/visual communication. Each project presented here is grounded in the idea of the designer as the constructor of culture and as an agent for change. Design does not exist in a vacuum and the design student should be fully aware and engaged in an understanding of issues related to social responsibility/ethical communication/cultural sensitivity and globalization. Ultimately, it is the designer who is positioned to construct a certain vision of the world. Therefore it is the intention that these projects aid in exploring the above-mentioned issues in the classroom. Included here are three projects and one exercise which may be interpreted for the specific teaching context. Download Hi-Res PDF [10MB) Download Lo-Res PDF [1.5 MB] View selected images as web album these days, my life is captionless 20 september 2003 graphic responses my palestinian question poster is featured in the exhibition 'graphic responses' which is a special section of the colorado international invitational poster exhibition. [click here for the poster] on the exhibition site. summer 2003 royalRed, a typeface inspired by the life and patterns of the salmon who instinctually swim upstream to spawn and lose parts of their physical self on the journey, royalRed’s forms are full-bodied and directional, and designed with modular parts – to be added, subtracted or made (in)visible with intention. [ click here] to view the sample sheet.site updated 29 may 2006 site version 3 copyright 2001–2006 maria rogal |
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embrace:
the méxico series on the 4th of july at the maya school. 2005. 18 x 18 inches. digital collage on canvas.
la méxicanita. (2004) 5 x 5 inches. 5 x 5 inches. digital collage on paper. ![]() embrace title banner at ferrum college. 36 x 72 inches. laser print on paper. |
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biography Maria spent her formative years traveling internationally and has lived in Laos, Peru, and Liberia. Her background influences her work, which focuses on the visual culture, design, and identity. She is at work on several projects that investigate the impact and relevance of graphic design and visual culture in the Americas. In these projects she explores how new visual languages develop through cultural assimilation and hybridity. Included among these is her most recent and ongoing research project entitled The MIRA Project (Multimedia Interdisciplinary Research in Art). Her articles, “Radicals with a Voice/Radicales con Voz” (Zed), “South of the Border...Down Mexico Way” (Visible Language), and “La Mezcla Cultural” explored these themes. Her art and design work has appeared in several juried exhibitions, including “Graphic Responses,” a special section of the Colorado International Invitational Poster Exhibition and “Sharing Dreams.” In 2003, she participated in the Fulbright Hays Seminar in México and Costa Rica. Since 1997 she has been on the School of Art and Art History faculty at the University of Florida where she teaches courses in graphic design with an emphasis on the intersection of design and culture. |
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volar en español * I. el anochecer es mi tiempo de calma cuando el día se convierte en noche y el aire no se mueve aves y personas andan en lo suyo me quedo inmóvil y floto sobre mi cuerpo... en mi espacio etéreo es una bella mezcla de voces, colores, texturas, olores todo es claro y rico un lugar que está aquí y no simultáneamente allá y un momento en que todos los hilos de mi cabeza y mi cuerpo se entretejen este es mi sueño y mi deseo más allá de cualquier cosa y de todo lo tangible y material es un sentimiento de inmenso amor un tiempo largo que sirve como un momento en que lloro lagrimitas de dicha y siento el pulso de mi sistema nervioso este estado de percepción elevada es un momento de renovación II. durante un momento que parece una eternidad y una eternidad en un momento deseando sentir profundamente vivir apasionadamente navegar por el espacio y el tiempo moverme y negociar con cambio y crecimiento y abrazar el desorden creando mis propias reglas III. sueños tiempo flotando etéreo maleable precioso sentimental cálido posesión esperanza fuerza risa gritos tacto sucio dolor amor calidez una canción de amor para mí misma * this is the Spanish translation of the text from the poster “Volar” |
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